The Gary Willis Approach – Bass Lesson(Part 1)

This post was written by Scott
Posted Under: Bass Lessons Videos
For more free bass lessons visit – www.scottsbasslessons.com There you’ll find loads of free video lessons covering bass soloing, improvisation, walking bass, grooves etc. Gary Willis has to be one of the most virtuosic, original and unique sounding bass players of the last twenty years. From his early work with Wayne Shorter, the groundbreaking fusion band Tribal tech through to his more recent projects like Triphastic, his bass playing is never less than breathtaking. I was lucky enough to study with him in Barcelona for just over the duration of a year, an experience I will never forget! Among all the lessons I took with Gary there was one that particularly stood out. In fact it was from this very lesson that all my further lessons with him seemed to be directly connected to. It was almost the foundation of my study with him. This specific lesson covered the superimposition of major pentatonic scales on top of minor chords and other more complex chord sequences from the jazz standard repertoire. Not only was this eye opening for me, but it also gave me a great insight into why Gary Willis sounds so unique and is instantly recognizable in his soloistic approach. The superimposition of major pentatonic scales within a soloing environment is a large contributing factor to the ‘Gary Willis’ sound. If this is something you want to be able to access and use in your own improvisations I suggest started with static minor chord vamps to begin with, and then later on when you

Reader Comments

pause at 10:28

#1 
Written By djfiljo on January 8th, 2013 @ 8:27 am

Thank You,Great Master!

#2 
Written By Hector Julio Sanchez Inda on January 8th, 2013 @ 9:26 am

Pretty cool stuff…definitely a new way to think of things.

#3 
Written By Marquel Rouse on January 8th, 2013 @ 9:52 am

I’m left handed but learned to play right handed. If you want to learn left-handed it’s not much different. It’s the same technique on different hands as far as I’m concerned.

#4 
Written By rubberbandman913 on January 8th, 2013 @ 9:56 am

learn to play righthanded masterrace

#5 
Written By ryanpatric92 on January 8th, 2013 @ 10:49 am

Nice gloves and short scale bass. Is this guy allergic to nickel or WTF?

#6 
Written By greentiger365 on January 8th, 2013 @ 11:01 am

Not sure but they may be so his hand will slide along the bass neck easier.

#7 
Written By Warchief01 on January 8th, 2013 @ 11:25 am

Hello!

As part of my studies I have been tasked to create ThinkSpanner online (Link in channel)
ThinkSpanner is almost finished, and I need to populate it with content. Can I link to your current content using the YouTube API? This means they wont be re-uploaded but instead, all views go directly to your channel!

Thanks :D

Paul – ThinkSpanner

#8 
Written By ThinkSpanner on January 8th, 2013 @ 12:08 pm

Is this the aeolian mode basically ?

#9 
Written By dee eric peterett on January 8th, 2013 @ 12:20 pm

Absolutely great to discover your lessons…After nearly 40 years of leggin’ it,makin’ it up as i went along(30 of those as a pro)i now can see the theory of what my ears were telling me!You are a wonderful teacher and it is a real joy to be back in school and finally learn my craft from somebody who has thought it through in so many ways!

#10 
Written By michael smith on January 8th, 2013 @ 12:33 pm

God man!

#11 
Written By BassLessonsFull on January 8th, 2013 @ 1:11 pm

What is the deal with the gloves?

#12 
Written By shelleyinthecity on January 8th, 2013 @ 1:39 pm

This video has really inspired me. I’ve been kind of discouraged as of late, but this really helped kick my ass back into gear. Thanks a lot. Really.

#13 
Written By youhavegeniusshins on January 8th, 2013 @ 1:50 pm

As far as scales and harmonics go, it’s all good to learn them on paper. However very few people cover the philosophy and state of mind needed to create and perform well. If I’m in sort of a deep calm state, anything I do will sound good (well almost). It’s as if I get more time to think and feel what I want the next note to be, even though I might be at the same BPM and time signature.

#14 
Written By Dokujin on January 8th, 2013 @ 2:35 pm

Or get a regular bass, switch the nut around and do it Jimi Hendrix style! :)

#15 
Written By Dokujin on January 8th, 2013 @ 3:13 pm

I award this the most helpful basslesson I’ve ever had!

#16 
Written By rofea on January 8th, 2013 @ 3:59 pm

no,you just need a left hand bass

#17 
Written By paul stanley on January 8th, 2013 @ 4:16 pm

Thank you so much!!! Now I’ve got a lot to practise, keep up the good work!

#18 
Written By Giuseppe Azañero on January 8th, 2013 @ 4:24 pm

thanks im learning so much from you.


#19 
Written By dearervainglory on January 8th, 2013 @ 5:15 pm

i did! thanks!

#20 
Written By Rafael Minerbo on January 8th, 2013 @ 5:16 pm

its on his website. check it out

#21 
Written By giggs102 on January 8th, 2013 @ 5:54 pm

Very inspiring, both your words and music!

#22 
Written By MrBasboris on January 8th, 2013 @ 6:31 pm

why was it so shit?

#23 
Written By gunryobassist on January 8th, 2013 @ 6:39 pm

9:15 thank me later

#24 
Written By Gods1BassPlayer on January 8th, 2013 @ 7:31 pm

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